04. MUSIC AND DANCE IN ANCIENT GREECE AND ROME AND THEIR PRESERVATION
Panel Convenors
Luis Calero (Universidad Autónoma de Madrid) [luis.calero@uam.es]
Gaël Lévéder (University Rey Juan Carlos) [gael.leveder.bernard@urjc.es]
Fuensanta Garrido Domené (University of Córdoba) [fgdomene@uco.es]
Felipe Aguirre (Conservatory of the Balearic Islands) [editorialcerix@gmail.com]
Luis Calero
PhD in «Studies of the Ancient World» at Universidad Autónoma de Madrid and Universidad Complutense de Madrid: o Doctoral Thesis: «La voz y el canto en la antigua Grecia» («Voice and Singing in Ancient Greece»). His main research areas are: Music and Scenic Arts in Ancient Mediterrean, Anthropology and Origins of Music. He is the main editor of «Música y Danza en la Antigüedad» https://musicaydanzaenlaantiguedad.blogspot.com. He is a member of: MOISA (International Society for the Study of Greek and Roman Music and its Cultural Heritage), SEEC (Sociedad Española de Estudios Clásicos), ICTM (International Council for Traditional Music). o Coro de Voces Graves de Madrid.
Gaël Lévéder
PhD in Humanities, Language and Culture by Universidad Rey Juan Carlos (doctoral thesis «Metodología de la Escuela Cubana de Ballet Clásico: Análisis anatómico de los pasos primarios del Nivel Elemental» –Graduate with honours–, URJC, Spain), Master in Marketing and Business Management (ESIC), course in Leading Business Management (IE) and Bachelor of Pedagogy of Dance (URJC), and awarded with Academic Excellence.
She teaches at the URJC, combining her experience as professional classical dancer and her academic education. She is the Coordinator of the Degree in Visual Arts and Dance (URJC), where she teaches Classical Dance and Methodology of Classical Dance.
She also coordinates desarrollARTE, a project whose aim consists in the creation and loyalty of new publics for dance through education.
She is artistic adviser of Orquesta y Coro Filarmonía for dance issues and educative adviser for the pedagogic project of Escuela de Música Filarmonía.
Her main researching lines are related to dance in Greek Antiquity, Sociology of Dance, Cultural Policy and Artistic Dance Education.
Fuensanta Garrido Domené
PhD in Classic Philology. Universidad de Murcia, Spain, Doctoral Thesis: Los teóricos menores del a música griega: Euclides el Geómetra, Nicómaco de Gerasa y Gaudencio el Filósofo. Introducción, traducción y comentario. Her main research areas are: Greek, Roman and Etruscan Music: Treatises, Organology and Iconography, Translation and Critical Edition of Latin Texts Related to Music, Transmission and Preservation of Theoretical and Representative Aspects of Ancient Greek and Roman Music. She is a member of: MOISA (International Society for the Study of Greek and Roman Music and its Cultural Heritage), SEEC (Sociedad Española de Estudios Clásicos), LVLT (Société internationale pour l'étude du latin vulgaire et tardif). o Asociación de Historia de la Lengua Española.
Felipe Aguirre Quintero is a musician, philosopher and editor. He works as a professor of Musicology and Musical Interpretation at the Conservatory of the Balearic Islands. His emphasis on research are music in Ancient Greece and in Ancient Egypt, as well as Platonic and Neoplatonic Philosophy and its relationship to Pythagorean tradition. In the field of Archaeomusicology he has focused on the reconstruction of ancient instruments and their technical interpretation, based on the philologic study of ancient sources as well as iconographic analysis. As director of Editorial Cerix, he has been in charge of more than ten editorial projects, in the field of Humanities. He is currently a PhD candidate in Philosophy at the University of the Balearic Islands.